Jesus was a Guatemalan composer
and ethnomusicologist who studied piano with Miguel Espinoza and composition
with Rafael Guzman in Quetzaltenango. As a composer he is regarded as the
initiator and with his younger brother Ricardo Castillo as one of the masters
of Guatemalan musical nationalism. At an early age he showed a special interest
in Guatemalan indigenous and folk music. In 1897 he began using this in his own
compositions such as the Cinco oberturas
indigenas.
He taught music for 30 years
in the city of Quetzaltenango and at the same time he collected folk music in
various regions of Guatemala. These collections of folk music
influenced his own compositions which featured indigenous melodies and
rhythms. This is especially evident in his opera Quiché Vinak. The research he
conducted on Guatemalan folk and indigenous music was published in 1941 in his
book, La musica maya-quiche: region de Guatemala. His compositions constituted
an important part of the repertory of the most outstanding marimba bands in Quetzaltenango.
Bibliography:
Lehnhoff, D. (n.d.). Jesus Castillo. Grove Music
Online. Oxford Music Online. Retrieved March 4, 2012 from:
Discography:
- Cinco oberturas indigenas (1897) Guatemalan indigenous and
folk music, features autochthonous melodies and rhythms.
- Fiesta de pajaros:
Catalogue No: CAP21598
Catalogue name: Music from Guatemala, Vol 1.
Track: 19
Label: Caprice
Oberturas indÃgenas Guatemalan indigenous and folk music, features autochthonous melodies and rhythms.
Quiche Vinak (1917-1925) opera, parts were first performed in 1924 at the Teatro Abril.

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